Lemari Arsip Vintage Jengki SOLD

Before

Lemari arsip vintage jengki dengan kondisi kokoh tanpa keropos dengan kayu jati tua. Di beberapa bagian terdapat cuil (Lihat Foto). Lemari ini masih aslinya sudah pulitur ulang dengan tarikan handle original jengki dengan design setengah lingkaran. Lubang yang terdapat di laci difungsikan untuk penempatan kunci. 

minat?

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Mini Long Table Jengki

P110 X L42 X T37cm

Meja panjang jengki ukuran mini ini masih aslinya saat didapatkan. Meja ini diproduksi bukan tahun 60an melainkan 70an. Meja top table terbuat dari 2 papan selembar terdapat 3 retak (Lihat panah) meja masih kokoh, kayu jati tua dengan warna coklat. Siap untuk difungsikan kembali dengan design bergaya midcentury yang modern!

Kursi Jengki Bulat

UPDATE KURSI HOLLAND

Vintage Kursi jengki

Sudah refinising, cantik dan siap pakai!

dibalik kain bungan ada bekas kain lamanya berwarna merah gelap!

Diameter 41 Tinggi 46cm

Diluar sana kursi2 jengki disebut

Midcentury

Mid-Century modern adalah arsitektur, interior, produk dan desain grafis yang umumnya menggambarkan perkembangan pertengahan abad 20 dalam desain modern, arsitektur dan pembangunan perkotaan dari sekitar 1933-1965. Istilah, bekerja sebagai descriptor gaya sedini pertengahan 1950, ditegaskan kembali pada tahun 1983 oleh Cara Greenberg dalam judul bukunya, Mid-Century modern: Furniture tahun 1950-an (random House), untuk merayakan gaya yang kini diakui oleh para sarjana dan museum di seluruh dunia sebagai gerakan desain yang signifikan.

Sumber

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Set Antique Kursi Jati Jengki

Kursi bergaya jengki/yankee/midcentury

Original jati tua, kaki-kaki batangan besar sangat kokoh, berkisar tahun 50s!
meja dan kursi sangat berat! Jok sudah diganti baru!

3 kursi single seat, 1meja , 1 kursi panjang

Jengki style

Jengki' was an eccentric architectural style developed in Indonesia in the 1950s following its independence.^[1][2]

The style reflected the novel influence of the United States on Indonesian architecture after hundreds years of the Dutch colonial rule. This influence was possibly brought through American teachers working at the Department of Architecture at Bandung Institute of Technology in the mid-1950s, and the name 'Jengki' itself is thought to derive from the Indonesian phonetic pronunciation and spelling of the word 'Yankee'.^[1][2]

In this new style, the modernist strict cubic geometric forms that the Dutch had used before World War II were transformed into more unusual shapes, such as pentagons. Asymmetrical roofs and facades, playful cut-out doors and windows, and oddly tilted roofs and eaves were imbued with a spirit of cheerfulness and freedom. The surface and composition were festive – characteristics that were not commonly found elsewhere in Europe and America at the time. They were associated with an expression of the political spirit of freedom among the Indonesians. Frances Affandi, the executive director of the Bandung Heritage Society, says that the structures are "... charming and noteworthy, but underresearched, underdocumented and underappreciated.”^[1][2]

These distinctive forms were for the most part designed by construction companies or architecture students of Bandung Institute of Technology, where a Department of Architecture was established in 1951.^[2] Many Jengki style buildings have been demolished but examples remain across Indonesia, particularly in the capital Jakarta, and in the Javan cities of Bandung,Yogyakarta, Solo and Semarang, as well as outside Java – in Biak, Makassar and Balikpapan. Examples of the buildings in Bandung include the Gedung PDAM (Regional Water Utility Company Building), Gedung BPI (Scientific Research Institute Building) and the Gedung Politeknik Kesehatan (Health and Polytechnic Building).^[

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